Die Ölgemälde alles GOLTZIUS, Hendrick
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ID Image  Painting (From A to Z)       Details 
6936  
GOLTZIUS, Hendrick, Dirck Volkertsz Coornhert sdg
  		 Dirck Volkertsz Coornhert sdg   c. 1590 Engraving Rijksmuseum, Amsterdam
6938  
GOLTZIUS, Hendrick, Hercules and Cacus dg
  		 Hercules and Cacus dg   1613 Oil on panel, 207 x 142,5 cm Frans Halsmuseum, Haarlem
6941  
GOLTZIUS, Hendrick, Lot and his Daughters dh
  		 Lot and his Daughters dh   1616 Oil on canvas, 140 x 204 cm Rijksmuseum, Amsterdam
6939  
GOLTZIUS, Hendrick, Mercury dg
  		 Mercury dg   1611 Oil on panel, 214 x 120 cm Frans Halsmuseum, Haarlem
6940  
GOLTZIUS, Hendrick, Minerva sg
  		 Minerva sg   1611 Oil on panel, 214 x 120 cm Frans Halsmuseum, Haarlem
6937  
GOLTZIUS, Hendrick, Portrait of Sculptor Giambologna dg
  		 Portrait of Sculptor Giambologna dg   1591 Chalk, 370 x 300 mm Teylers Museum, Haarlem
6943  
GOLTZIUS, Hendrick, Self-Portrait dg
  		 Self-Portrait dg   1592-94 Drawing Graphische Sammlung Albertina, Vienna
6942  
GOLTZIUS, Hendrick, The Rich Kitchen dfg
  		 The Rich Kitchen dfg   1603 Ink, pen on paper, 20 x 33 cm Prentenkabinet, Rijksuniversiteit, Leiden
6935  
GOLTZIUS, Hendrick, Without Ceres and Bacchus, Venus would Freeze xdg
  		 Without Ceres and Bacchus, Venus would Freeze xdg   1599-1602 Mixed media on canvas Philadelphia Museum of Art, Philadelphia
GOLTZIUS, Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.



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